Category: From the Editor’s Desk

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From the Editor’s Desk: The Horsemen Are Looking for Proofreaders!

Do you like reading books? 

Do you have an eye for lingering errors in the books you read? 

Would you like to get paid while getting a sneak peek at upcoming 4HP releases? 

4HP is currently seeking proofreaders with an eye for detail to Quality Control our books. As a QCer for 4HP, you would read the book (after it has gone through editing) and fix any outstanding grammatical or formatting issues (mostly punctuation, typos, missing words, and the occasional odd spacing). You are not editing the book; you are only seeking glaring mistakes and fixing them. 

How does QC work at 4HP?

Essentially, you would choose the book you want to QC, download the document in Word, read it, fix any errors using Microsoft Word’s Track Changes, and then submit the manuscript by the deadline. Our books range from 25k-125k in multiple genres, and most have a two-week period in which to read and return them. QCers choose the books they want to work on, so you don’t have to read anything you don’t want to. All work is voluntary. 

How much does 4HP pay for QC?

4HP pays $50 per book, regardless of length, on a contract basis. You would submit an invoice through Wave for each completed book (1099 for taxes). If you are not familiar with Wave, it is a payment processing software that we have our contractors use. You need an email and a bank account to sign up.

Other Stuff You Should Know

  • 4HP is a mid-size publisher who focuses on fiction series, so books will range from romance and erotica to fantasy and science fiction to thriller and mystery. We also have a non-fiction imprint called Accomplishing Innovation Press, so there will be some non-fiction available as well. Check out our websites at 4horsemenpublications.com and accomplishinginnovationpress.com. 
  • We exclusively use Word at 4HP, so you would make any changes using Word’s Track Changes. Other programs like GDocs do not integrate with our system, so you would have to use Word for everything (Making changes inside gdocs causes massive issues during layout–you can’t see it in your document, but we find out about it later!).
  • If you like to read, have an eye for details, and know proper grammar and punctuation, this is a great way to get paid to read a variety of books!

Does this sound like something you are interested in? If so, email editing@4horsemenpublications.com and share a bit of your background and interests. If you decide to pursue this opportunity, the interview process begins with an NDA (since you are reading books that aren’t published yet) and a sample chapter for you to QC. 

Do you like to read and want to dip your toes in the editing pool? This is a great way to get started by reading books and getting paid to spot errors!

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From the Editor’s Desk: Little Things That Make a Big Difference

I am both an author and an editor, and it’s important to know the difference when the time comes to switch roles. I can write my own work. I can edit other people’s work. I can kinda sorta maybe start to edit my own work. But ultimately, I’m never going to see all of my mistakes, so I need another pair of eyes on it if I want it to head into typeset error-free (or as error-free as any other book can possibly be!). That said, there are definitely things I can do to my own work to help the editorial process along. 

  1. Take a break. 

Yes, I said it. Walk away from the manuscript. Yes, I wrote it. Yes, I love it. Yes, I wrote it because it’s exactly the kind of book I like to read, but if I want an objective view as I tangle with my sentence structure and word use, I need to have some space (preferably in time, but also in distance, I suppose) between me and when I wrote the book. I’m not saying you need to hide it in a drawer for years, but give yourself a few days to let it settle before approaching it with your prepping-for-editor eyes. If you go directly from composing something to reading it, your eyes will see what you wanted to say, not necessarily what is on the page. Anyone who has written what they considered a semi-passable paper at 4am, printed it out, and then sat in that 8am class staring at a first line that is missing half the words knows what I am talking about. Give your brain a break to see what is actually there. 

  1. Prepare to re-read your book at LEAST twice. 

The first time you re-read your book, settle in somewhere comfortable, preferably soft, with a beverage of choice nearby. Your goal during this read-through is to read the book as a reader would. Immerse yourself in the world you created. Meet the characters anew. Make sure that the story goes where you wanted it to go (and tweak all those little annoying story details that no longer make sense now that the story is finished). Don’t stress out about grammar during this read-through. Focus on the story and the details. Gauge the plot, the pacing, the character development, and the dialogue. Appreciate your work as a whole. 

The second time you re-read your book, sit somewhere serious that you associate with work, like a desk or kitchen table. It’s time to read for grammar. That means doublechecking spelling and capitalization. Look for incomplete sentences or phrases that don’t make sense. Check your punctuation, especially around dialogue. Have your reference guides handy during this process (or use google if in doubt). Please do not rely on Word’s editor and even Grammarly. They try heard and mean well, but they are programs that do not know what you are trying to say. They may fix it correctly, but they may make it much worse. Trust your own voice first. And if you aren’t sure, like I said, google it. I guarantee you there is a blog or video about the exact thing you are wondering. If you have an editor friend, ask them (but don’t bombard them unless you plan to pay them for their time–wordsmithing is their job, and unless they spend all weekend asking you questions about your day job, don’t assume their knowledge is free unless they offer it). 

  1. Send it to an editor (or a very helpful beta reader).

I know I already said it, but this is the time to send your book to the editor. You’ve fixed as much as you possibly can, and the rest is for another pair of eyes. That’s fair. Beta readers and proofreaders are your friends at this point if you can’t use an editor. If it’s all on you this time, consult some references. I always recommend Woe is I by Patricia T. O’Conner for grammar questions and Eats, Shoots & Leaves by Lynne Truss for punctuation issues. I can now also recommend 10 Steps to Save Your Editor’s Sanity (available for pre-order from Accomplsihing Innovation Press). 

  1. Read it one more time. 

Oh, come on. You’re not sick of it. You love it. Enjoy it one more time and see if anything awkward or weird jumps out at you. Take a moment to appreciate this moment. You created a new story and are ready to release it into the world. You rock.

  1. Now, start over with a new story!
https://accomplishinginnovationpress.com/product/10-steps-to-save-your-editors-sanity/
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From the Editor’s Desk: Tips to Save Your Sanity During Editing

It’s time. You know it. Pour yourself a drink (whatever liquid gets you through the writing process), put on some comfortable clothes, and settle down in front of the computer. Editing is never easy, but there are some general things you can do that will make it easier the next time you finish a book. Here are some general tips to get you through this round of editing:

1. Read. Read in your genre. Read outside of your comfort zone. Read established writers with distinctive voices. Read emerging writers with astounding vision. 

2. Learn the rules. You can’t effectively break the rules of grammar without knowing them (otherwise your clever fragment may just look like a mistake!). Take it slow, but take the idea of learning to wield your tools, your words, seriously. Tons of books, blogs, and videos cover the rules. Check them out! I’m a fan of the classic Eats, Shoots, & Leaves: The Zero Tolerance Approach to Punctuation by Lynn Trusse. I also recommend Woe is I: The Grammarphobe’s Guide to Better English in Plain English by Patricia T. O’Conner.

3. Read your work out loud … backward. Yes, I said backward. Start with the final sentence, find the capital letter that starts it, and read that sucker aloud all the way to the end punctuation (period, question mark, exclamation mark). Is it a complete thought? Does it make sense? Cool. Go back or up a line. Find the previous sentence and repeat the process. Reading your sentences in isolation forces you to look at them one-by-one (instead of the way you read the story). You likely won’t do this for the entire thing, but you can put a serious dent in troublesome areas this way.

3a. Live with someone? Or have a very expressive pet? Read your story out loud and watch their reaction. If their expression is confused, mark that spot to revise later. If you stumble, mark that part to revise later. You’re not narrating here (though I suppose you could if you’re supper confident in your splicing skills); you’re reading for flow and comprehension. 

4. Take breaks. Editing is not a one-and-done event. It can be a marathon of late nights/early mornings and five-minute breaks from work (and lots of tea if you’re me!). It’s best accomplished in small chunks with a specific focus. If you read your work straight through looking for all of the things, you will find some of the problem stuff—but definitely not everything (not without making yourself crazy first!). 

5. At some point, your manuscript is finished. Let it go. Yes, you could make it better tomorrow—but how many tomorrows are spent re-working something when you could be on to your next story? Academics say papers are never done—just due. Give yourself a deadline and stick to it. Find your “good enough” point and watch Frozen (Let it go!!!). We will never get to see it if you keep tinkering with chapter five. 

6. Remember that your story is worth telling. No one can tell it like you can. No one else can do what you can. Don’t give up. We need to read your words. Get it out in the world!

Oh, you wanted ACTUAL steps on how to do this? Well, conveniently enough, I already wrote that book, and it’s a bit longer than  a blog post. If you want specific step-by-step instructions on how to edit your book, check out 10 Steps to Save Your Editor’s Sanity, a helpful guide that walks you through the process of self-editing one task at a time!

10 Steps to Save Your Editor’s Sanity